If ever there was a London building crying out for a blue plaque, it is number 10 Bloomsbury Street, former headquarters of Sass’s Drawing Academy, a feeder school for the Royal Academy. It was here that aspiring painters John Everett Millais, Dante Gabriel Rossetti and Walter Howell Deverell took their early training. Rossetti and Deverell met at Sass’s, but child prodigy Millais had already entered the Royal Academy Schools by the time they began their studies. Other distinguished graduates include Augustus Egg, Edward Lear, Charles West Cope, Henry Hugh Armstead and William Powell Frith, most famous for his work Derby Day (1858).
If the Pre-Raphaelites were still around today, they would no doubt be thrilled to find that they are still causing a stir. A quick peek at the 'Comments' inspired by the recent Observer online article about the upcoming Tate Pre-Raphaelite Exhibition reveals that viewers are as divided as ever about the significance of Pre-Raphaelitism.
The debate the young upstart Brothers intentionally started about contemporary art in 1848 still rages today. Then as now, while some people enjoy the unsettling beauty of the bright Pre-Raphaelite colour palette, others are put off by the movement’s eroticised depiction of women and heavy-handed symbolism. Still more are unhappy with them for not being French Impressionists.