Some might imagine that JK Rowling publishing a crime novel under a pseudonym (Robert Galbraith) is the most important part of the story of the genesis of A Cuckoo’s Calling. But I say Galbraith, Schmalbraith. The real story here is that JK Rowling has borrowed her onomatopoetic, alliterative title from the Christina Rossetti poem, ‘A Dirge’ (1865).
She has also reproduced the complete poem as the novel’s epigraph. Taken together with the neo-gothic overtones of the Harry Potter series and the George Eliot-esque realism of The Casual Vacancy, Ms. Rowling's acknowledgement of Rossetti bespeaks an acquaintance with nineteenth-century literature that makes this Victorian scholar’s heart beat faster under her sensible cardigan.
Without further ado, I would like to offer a close-reading of ‘A Dirge’ for those interested in following where JK Rowling is gently leading her more curious readers. And I do mean ‘curious’ in multiple senses of the word.
Health Warning: In part 2 of this analysis, we’re going to look at meter. No wait! Come back! I know you may have had painful experiences with scansion in the past, but this blog is not here to belittle or punish you for struggling with this sometimes difficult art.
We’re simply going to look briefly at two different kinds of metrical feet: the dactyl and the trochee. Then we’re going to discover how they help contribute to the poem’s meaning. Easy peasy. There will be no pop quiz afterwards, and I assure you I have nothing up my sleeve except the wish to spread the joy of scansion. If such a thing can be contained in the sleeve of my moth-eaten cardigan.