Dinah Roe

In An Artist's Studio: Poetry Analysis

When I was a university freshman (long ago, when mastodons bellowed to each other across primeval swamps), a professor of mine once remarked that people are often afraid of poetry because they haven’t really been taught how to read it. This makes sense to me; unlike the Victorians, we are not bombarded with popular periodicals and annuals containing classic and contemporary poems. We are not taught to recite poetry at school, and rarely do we read it in any great depth. But I don’t want people to be scared of poetry anymore. I want people to love it! And if they can’t love it, then at least I want folks to be able to face it down. So in order to be part of the solution rather than part of the problem, I’m going to experiment with a ‘Poetry Workshop’, in which I will closely analyse a Pre-Raphaelite poem.

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Pre-Raphaelites in the City

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This blog explores the thriving Victorian cities which inspired the Pre-Raphaelites, and were shaped by them in turn. While the Pre-Raphaelites produced poetry and art praising the natural world, most were born and raised in urban environments, and their work retained a cosmopolitan sensibility. Although this blog will sometimes take excursions into the countryside, its focus will remain on city life. If you want more information on images or sources, please get in touch.

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