Dinah Roe

Reviving 'Patience': An Interview with CESP Director Leon Berger

Walthamstow’s own Chapel End Savoy Players could not have chosen a better time to revive Gilbert and Sullivan’s Patience. The public appetite for the 2012 Tate Exhibition Pre-Raphaelites: Victorian Avant-Garde (now heading to Moscow via Washington DC), proves that modern audiences are not only receptive, but downright enthusiastic about exploring Pre-Raphaelitism and its legacy. Sending up the poseurs who tried unsuccessfully to imitate the fashionable excesses of the ‘greenery-yallery, Grosvenor Gallery’ crowd, Patience satirises the developing aestheticism of the late 1870s and early 1880s. This ‘ultra-poetical, super-aesthetical’ craze had its origins in what Robert Buchanan labelled Dante Gabriel Rossetti’s ‘Fleshly School’ of poetry, and in what was perceived as an unhealthy Pre-Raphaelite predilection for morbid, sensual and pseudo-medieval themes and motifs, or, as Patience puts it, 'uttering platitudes in stained-glass attitudes'.

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The Usual Suspects: Reviewing the Reviews of A Victorian Obsession

Victorian Obsession, the new exhibition at Leighton House, has once again turned modern critics into Victorian ones. As I have banged on about elsewhere, (HERE and HERE) today’s critics uncannily (and perhaps unconsciously) echo the opinions of their nineteenth-century Royal-Academy-loving forebears in expressing their distaste for the childishness, vulgarity and escapism which they see as characteristic of Pre-Raphaelite artists and their followers.

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Pre-Raphaelites in the City

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This blog explores the thriving Victorian cities which inspired the Pre-Raphaelites, and were shaped by them in turn. While the Pre-Raphaelites produced poetry and art praising the natural world, most were born and raised in urban environments, and their work retained a cosmopolitan sensibility. Although this blog will sometimes take excursions into the countryside, its focus will remain on city life. If you want more information on images or sources, please get in touch.

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