In 1868, Henry Wadsworth Longfellow visited England, where he was feted by the great and the good. America’s premiere poet received honourary degrees from Oxford and Cambridge and even called on Queen Victoria. Julia Margaret Cameron (close friend to the Pre-Raphaelites) took his portrait, portraying him as every inch the poet-sage. The dramatic profile portrait, with its emphasis on his flowing white beard and veritable mane of hair, presents him as the embodiment of a literary lion.
William Rossetti noted that Boston-born Edgar Allan Poe’s work continued to provide ‘a deep well of delight’ to his brother Gabriel all his life. Throughout his career, Gabriel Rossetti was drawn to the disturbing notion in Poe’s essay ‘The Philosophy of Composition’ that ‘The death of a beautiful woman is, unquestionably, the most poetical topic in the world.’ During 1846-47, Gabriel decided to write a sequal to Poe’s ‘The Raven’, and ended up producing his most famous poem, ‘The Blessed Damozel’.